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'Not glad?' The Savage looked at her reproachfully; then suddenly fellon his knees before her and, taking Lenina's hand, reverently kissed it.'Not glad? Oh, if you only knew,' he whispered, and, venturing to raisehis eyes to her face, 'Admired Lenina,' he went on, 'indeed the top ofadmiration, worth what's dearest in the world.' She smiled at him with aluscious tenderness. 'Oh, you so perfect' (she was leaning towards himwith parted lips), 'so perfect and so peerless are created' (nearer andnearer) 'of every creature's best.' Still nearer. The Savage suddenlyscrambled to his feet. 'That's why,' he said, speaking with avertedface,' I wanted to do something first... I mean, to show I wasworthy of you. Not that I could ever really be that. But at any rate toshow I wasn't absolutely unworthy. I wanted to do something.'

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34. It may well disturb us to learn of the extinction of mammals or birds, since they are more visible. But the good functioning of ecosystems also requires fungi, algae, worms, insects, reptiles and an innumerable variety of microorganisms. Some less numerous species, although generally unseen, nonetheless play a critical role in maintaining the equilibrium of a particular place. Human beings must intervene when a geosystem reaches a critical state. But nowadays, such intervention in nature has become more and more frequent. As a consequence, serious problems arise, leading to further interventions; human activity becomes ubiquitous, with all the risks which this entails. Often a vicious circle results, as human intervention to resolve a problem further aggravates the situation. For example, many birds and insects which disappear due to synthetic agrotoxins are helpful for agriculture: their disappearance will have to be compensated for by yet other techniques which may well prove harmful. We must be grateful for the praiseworthy efforts being made by scientists and engineers dedicated to finding solutions to man-made problems. But a sober look at our world shows that the degree of human intervention, often in the service of business interests and consumerism, is actually making our earth less rich and beautiful, ever more limited and grey, even as technological advances and consumer goods continue to abound limitlessly. We seem to think that we can substitute an irreplaceable and irretrievable beauty with something which we have created ourselves.

53. These situations have caused sister earth, along with all the abandoned of our world, to cry out, pleading that we take another course. Never have we so hurt and mistreated our common home as we have in the last two hundred years. Yet we are called to be instruments of God our Father, so that our planet might be what he desired when he created it and correspond with his plan for peace, beauty and fullness. The problem is that we still lack the culture needed to confront this crisis. We lack leadership capable of striking out on new paths and meeting the needs of the present with concern for all and without prejudice towards coming generations. The establishment of a legal framework which can set clear boundaries and ensure the protection of ecosystems has become indispensable; otherwise, the new power structures based on the techno-economic paradigm may overwhelm not only our politics but also freedom and justice.

78. At the same time, Judaeo-Christian thought demythologized nature. While continuing to admire its grandeur and immensity, it no longer saw nature as divine. In doing so, it emphasizes all the more our human responsibility for nature. This rediscovery of nature can never be at the cost of the freedom and responsibility of human beings who, as part of the world, have the duty to cultivate their abilities in order to protect it and develop its potential. If we acknowledge the value and the fragility of nature and, at the same time, our God-given abilities, we can finally leave behind the modern myth of unlimited material progress. A fragile world, entrusted by God to human care, challenges us to devise intelligent ways of directing, developing and limiting our power.

212. We must not think that these efforts are not going to change the world. They benefit society, often unbeknown to us, for they call forth a goodness which, albeit unseen, inevitably tends to spread. Furthermore, such actions can restore our sense of self-esteem; they can enable us to live more fully and to feel that life on earth is worthwhile.

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This simply could not be any worthier: the chief keywords here being South Africa; apartheid; multiculturalism. And lesbians. A richly textured 12-part epic might be constructed around that tidy grouping, but author Shamim Sarif gave us a single award-winning novel instead, based on her grandmother's recollections of 1950s Cape Town. Less agreeably, and most unusually for a writer, she has also been given free hand to script and direct her own movie adaptation. Really bad move.Fiercely independent Amina (played by the Indian-American Sheetal Sheth) literally wears the trousers as owner of a Cape Town café in 1952. She's always getting into trouble with the police for serving "blecks". She's also something of a pariah within her own prejudiced immigrant community for speaking out against the subjugation of women. One day her counterpart turns up. Miriam (Indian-Canadian Lisa Ray) is a subservient housewife, mother and shopkeeper, married to racist, chauvinist pig Omar (Parvin Dabas), who in turn is having an affair with his sister-in-law Farah (Natalie Becker) under poor Miriam's nose. Amira is smitten. The lady's ripe for turning. But will she ever persuade Miriam to shrug off her shackles and find true love? Never mind the world, this will probably end up a film unseen for the most part, but that doesn't automatically make it some kind of ghettoised gem. Like Sarif's other lesbian drama I Can't Think Straight (also featuring Sheth and Ray) this is queer cinema by default only, too mimsy and soapy a concoction to be regarded as anything other than a daytime TV movie.If the direction is flatter than a chapatti, the performances are mostly amateur hour, with cringeworthy dialogue clamouring to be heard above an hysterical din of a score; tremulous strings and fussily tinkling pianos drowning each and every soft focus scene in caramelised gloop. It's certainly a huge letdown after opening the film with Nina Simone's gorgeous rendition of 'I Wish I Knew How It Would Feel To Be Free' - all-purpose protest song and knowing shout-out to the singer's significant gay fan base.The leading ladies frantically bat their lashes at one another, but with so little chemistry between them they'd produce more sparks trying to light a cigarette with a dodgy disposable. Miriam's sexual awakening during a driving lesson is also unconvincing. "You didn't come to give me a driving lesson, did you?" Miriam hotly accuses Amina. "So why did you come?" This exchange, after they've already snogged.Most damagingly, for a film set during an era when flouting racial and gender conventions could land you on Robben Island for years, there is absolutely zero sense of danger. It's as if Sarif is so confident audiences are already up to speed with the politics (or with her novel), that she hasn't bothered with the important stuff: atmospherics, a feel for the time and place.The real drama, it seems, is going on elsewhere: a subplot involving the café's mixed-race, middle-aged co-owner Jacob (David Dennis) secretly romancing Madeleine (Grethe Fox), a white postmistress. But largely, what we're left with is a pair of total babes brushing lips. The only threat for this glamorous pair would appear to be smudged cosmetics.

Since books are so intrinsic to his relationship with the world, we learn about the many sources and formats for accessing reading materials for people who are blind or low vision. From early records to cassettes to digital books and downloadable material, he clearly explains for the uninitiated and stirs memories for those who have sung in the same choir. Organizations relevant to every aspect of blindness - from access technology to civil rights to fun and games online or on chat lines - he provides abundant information without ever being tedious.