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UEFA Champions League Entrance Music Anthem !FULL!


The UEFA Champions League Anthem, officially titled simply "Champions League", is the official anthem of the UEFA Champions League, written by English composer Tony Britten in 1992, and based on George Frideric Handel's Zadok the Priest.[1] It was also the official anthem of the UEFA Women's Champions League from its creation in 2001 to the 2021 creation of an independent anthem.[2] The complete anthem is about three minutes long, and has two short verses and the chorus. The lyrics are in UEFA's three official languages: English, French, and German. The chorus is set to the exclamations "Die Meister! Die Besten! Les grandes équipes! The champions!"




UEFA Champions League Entrance Music Anthem


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The anthem was written by English composer Tony Britten in 1992, adapted from George Frideric Händel's anthem Zadok the Priest, which is traditionally performed at the coronation of British monarchs. In a 2013 newspaper interview, Britten stated that "I had a commercials agent and they approached me to write something anthemic and because it was just after The Three Tenors at the World Cup in Italy so classical music was all the rage. Hooliganism was a major, major problem and UEFA wanted to take the game into a completely different area altogether. There's a rising string phase which I pinched from Handel and then I wrote my own tune. It has a kind of Handelian feel to it but I like to think it's not a total rip-off."[6] The composing process took "just a matter of days".[7] Britten also mentioned that he does not own the rights to the anthem, which are retained by UEFA, but he receives royalties when it is used.


The majestic music which rises to an impressive major key crescendo signifies the installation of a new head of state. The baroque music of the Zadok anthem associates the Champions League with the monarchies of Ancien Regime Europe. The baroque music also interconnects with the silver house colours, for the aristocratic connotations evoked by the silver are reflected and affirmed in this noble music. It is notable here that the anthem is associated with the (silver) cup itself because, in the introductory sequences, the music reaches its climax just as the footage of the Cup being lifted at the end of the previous year's competition is shown. It is interesting that the anthem is orchestrated so that the most prominent instruments at this climax are horns; they communicate a shining metallic sound which musically reflects the trophy itself. Music and colours merge together as one dense signifier, communicating a concept of silver in both sound and vision.


The complete anthem is about three minutes long, and has two short verses and the chorus. In addition to the anthem, there is also entrance music, which contains parts of the anthem itself, which is played as teams enter the field.[11] The anthem has been released commercially in its original version on iTunes and Spotify with the title of Champions League Theme. Also, the Academy of St Martin in the Fields chorus can be heard singing the influential piece "Zadok the Priest" on the 2002 album World Soccer Anthems.[12] In 2018, composer Hans Zimmer remixed the anthem with rapper Vince Staples for EA Sports' FIFA video game FIFA 19, with it also featuring in the game's reveal trailer.[13]


It was on full display yet again Wednesday night as Timmy Trumpet played Díaz's entrance music live during a 2-1 win over the Los Angeles Dodgers. Just moments after entering the game, Díaz shut the door on the Dodgers as he retired the heart of their lineup.


"Narco" which is performed by Smith and Dutch DJ Blasterjaxx, has become an anthem at Citi Field whenever Díaz enters the game. Before Díaz enters the game, stadium operators turn off the lights to get fans ready for the trumpeting sounds. Even the SNY broadcast refuses to go to commercial when Díaz enters the game as they pan their cameras on his entrance from the bullpen. 041b061a72


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